Q: What Role Does the Media Play in Accelerating Social Progress?
This month, 8 feature length films and 30 short films were created by award-winning film makers for the "Why Poverty?" global media event in order to spark dialogue and debate about poverty worldwide. They will air throughout November via more than 70 national broadcasters reaching 500 million people. For example, one such feature film is titled Rafea: Solar Mama, which spotlights the work of Barefoot College in India as they train impoverished women from around the world to become solar engineers. In concert with this event, we asked some of the world's leading media authorities--Gates Foundation, Participant Media, MTV International, WITNESS, Search for Common Ground, and the African Media Initiative--if and how the media can accelerate social progress around the world.
Debate Media Partner: Forbes.com
How Personal Video Can Change the World
Executive Director, WITNESS
How Mobile Media is Transforming Africa for Good
CEO, African Media Initiative
How Storytelling Can Effect Change
Executive Vice President, Digital, Participant Media
Why We Need Solutions Journalism
Co-Founder, Solutions Journalism Network
How a TV Show in Kenya is Helping Stop the Spread of AIDS
Senior Vice President, Social Responsibility, MTV Networks International
Eyeballs and Impact: Are we measuring the right things if we care about social progress?
Head of Strategic Partnerships, Communications, Bill & Melinda Gates Foundation
Article Highlights:
- Preventing violence is a necessary requirement for social progress.
- A conflict-centered approach may attract viewers or sell papers, but it can have a negative impact on social progress.
- When media professionals recognize that alternatives exist to conflict-centered journalism and that an adversarial approach is not inevitable, they are more likely to contribute to social progress.
Violent conflict has a profoundly negative impact on the planet, even when it occurs in remote places. Where there is violence, human rights are abused, lives are shattered, economic development is blocked, and the environment is devastated. Thus, preventing violence is a necessary requirement for social progress.
When violent conflict looms, the media have a crucial role to play. Unfortunately, traditional journalism usually stresses conflict – and often exploits it for its entertainment value. Editors seem to work from the premise that conflict is interesting, and agreement is dull. Consequently, discordant behavior tends to be rewarded with airtime and newspaper space, while efforts to build consensus and solve problems are penalized – by being either ignored or discounted.
A conflict-centered approach may attract viewers or sell papers, but it can have a negative impact on social progress. It does not reflect what most people have learned in their individual lives: that family and business relationships are more successful when people work together.
Journalists have choices to make about what they report and how they do so. For them to publish or produce stories that lack context or intentionally inflame conflict is irresponsible.
Allow me to share some examples of ways media has been either part of the problem or the solution.
In every conflict, media programming fits along a broad spectrum. At one extreme, there is hate media, which can incite a population toward genocide or ethnic cleansing, as Radio Mille Collines did in Rwanda in 1994, and Serbian media did during the Bosnian war during the early 1990s. At the other end of the spectrum, the press can play an active, positive role in peacebuilding. For example, in 1977, CBS’ Walter Cronkite conducted interviews with Egyptian President Anwar Sadat and Israeli Prime Minister Menachem Begin that played a key part in making Sadat’s groundbreaking trip to Jerusalem possible.
TV drama can be an effective way of positively changing attitudes.. Consider “The Cosby Show,” which, according to Timothy Havens of Indiana University, “changed the face of American television and set a new standard for representing African American families in non-stereotyped roles.” [1]
Or take the example of the the 1977-78 Mexican telenovela, “Acompaname,” which dealt with family planning issues and whose airing was accompanied by a 23 percent increase in contraceptive sales and a 33 percent jump in women enrolled in family planning. [2]
I don’t want to focus only on the problems, but rather, offer solutions for journalism:
Ask different questions, so different answers emerge. The core question asked by most reporters is usually, “Where do you disagree?” The question could be, “Where do you agree?” From a journalistic perspective, both questions would seem equally valid.
Describe the differences, while mentioning the commonalities. Unquestionably, good journalism probes deeply into divisions. Still, social progress is not likely to emerge until parties in conflict find ways to act on shared interests and concerns.
The attitudes of media professionals are important, and those attitudes can change. Where reporters and editors come from – both psychologically and intellectually – has a direct impact on what they produce. When they realize that positive alternatives exist and that an adversarial approach is not inevitable, they are more likely to contribute to social progress.
All types of programming can contribute to social progress. This includes talk shows, documentaries, soap opera, children’s drama, and sports.
Programming should be entertaining, informative, and persuasive. Positive media programming need not be boring.
Further Reading:
- [1] “Media, Culture & Society,” © 2000 SAGE Publications [London, Thousand Oaks and New Delhi], Vol. 22: p. 371)
- [2] http://www.populationmedia.org/what/sabido-method/
























































